Ana Amorim
1956, São Paulo, Brazil
Lives and works between São Paulo, Brazil, and Madrid, Spain
With a conceptual artistic practice focused on her being alive, Ana Amorim works with different forms of registers: her movements, time and life itself. Since 1987, the artist develops extensive performances involving the register of mental maps. For decades, her practice was mediated by an Art Contract, a conceptual performance that acted on the circulation and presentation of her work in the art system.
Her art production addresses radically and obsessively the concept of routine, the passage of time and the role of an art space. Her research extrapolates a purely conceptual interest and embraces contemporary social debates, such as in her Transcommunicator performance and her work with social movements and indigenous peoples. Having life, itself, as an artistic framework, Ana Amorim materializes the registers of her actions in several techniques and supports —drawing, collage, embroidery, evidence gathering and videos.
With a degree in Fine Arts from Fundação Armando Álvares Penteado, FAAP, São Paulo, Brazil (1986) Amorim lived abroad for long periods of time, where she developed her practice, which has been gaining space and projection in Brazil. She holds a Master’s degree in Painting and Art History from Ohio University, USA (1989), during which she comes into contact with the production of conceptual artists and begins her first performances. She also pursued a degree in Mathematics at the Pontifícia Universidade Católica de São Paulo, PUC-SP (1976-1977), a Master’s degree in Aesthetics and Art Theory at Middlesex University, London (1998-1999) and a PhD in Fine Arts (School of Maori Studies) at the Massey University, New Zealand (2010-2012). Her most recent solo shows were held at Millan, São Paulo, Brazil (2023), Galeria Vermelho, São Paulo, Brazil (2022), Museu de Arte Contemporânea da Universidade de São Paulo – MAC-USP, São Paulo, Brazil (2021 and 1991), Espaivisor Gallery, Valencia, Spain (2019), Fundação Nacional de Artes – FUNARTE, São Paulo, Brazil (2009), Alternative Art Gallery, London, UK (1994) and Museu de Arte Moderna – MAM, São Paulo, Brazil (1992), among others.
Among the group shows the artist has participated in are: Tempos fraturados, MAC-USP, São Paulo, Brazil (2023); Entre a Estrela e a Serpente, Galeria Leme, São Paulo, Brazil (2022); A Discourse of Uncertainties, 1MiraMadrid, Madrid, Spain (2020); Mesuras, Fundación Cerezales Antonino y Cinia, León, Spain (2019); Matrix for Actual Time, Museu de Arte Contemporânea da Universidade de São Paulo – MAC-USP, São Paulo, Brazil (2018) and mulher(es), Pinacoteca Benedicto Calixto, Santos, Brazil (2002).
1991
"I drew a map on a fabric strip in 2 colors, black for everyday routes and red for new routes. Then, I sewed a piece of fabric to the work, cutout from my immediate surrounding. Lastly, I counted seconds for one hour in my own time"; ballpoint pen and sewn cut out fabric on strips of cloth
Set of 318 | 24 x 5 1/2 in (each) | 102 1/2 x 492 in (overall, approx.)
Photo: Filipe Berndt
2019
“Every night during the year 2019 I had the following routine: 1. I counted seconds for one hour 2. I registered a written map of the day 3. I registered a full map of the day 4. I registered the locator number for the day 5. I registered a simplified map of the day”; black ballpoint gel pen on white paper
Set of 365 | Each: 31.9 x 44 cm [12 ½ x 17 ½] | Overall: 550 x 1000 cm [216 ½ x 393 ½ in] approx.
Photo: Ana Pigosso
1989
365 pieces, label, various objects inside 365 plastic sandwich bags
365 peças | 209 x 557 cm approx.
Photo: Filipe Berndt
2018
"Every night, during the month of October, I had the following routine: 1. I counted seconds for one hour 2. I registered a simplified map of the day 3. I registered a written map of the day 4. I registered the locator number for the day"; black archival ink gel pen on paper
Set of 31 | 14 x 17 in (each) | 71 1/2 x 121 1/2 in (overall)
Photo: Ana Pigosso
2021
Work on a large sheet of paper with 28 maps drawn, in 4 groups of 7 overlapped maps, each map immediately covered and erased with liquid white out and with the corresponding locator numbers below the maps. Mental maps completed between February 1st and 28th, 2021; black ballpoint archival ink gel pen, pencil and liquid white out on white paper
42 x 30 1/2 in
Photo: Ana Pigosso
2018
Register of the number of days and hours lived by the artist during the month of December 2018. Each rectangle is the register of a day of the month, like a calendar; acrylic, acrylic marker and black ballpoint archival ink gel pen on white paper
Set of 2 | 16 1/2 x 19 1/2 in and 14 x 11 in
Photo: Ana Pigosso
São Paulo, Brazil
São Paulo, Brazil
Gwangju, South Korea
Rio de Janeiro, Brazil
Riberão Preto, Brazil
São Paulo, Brazil
Porto Alegre, Brazil
Arévalo, Spain
Porto Alegre, Brazil
São Paulo, Brazil