{"id":10709,"date":"2024-02-15T18:49:19","date_gmt":"2024-02-15T21:49:19","guid":{"rendered":"https:\/\/millan.art\/?post_type=noticias&p=10709"},"modified":"2024-02-15T18:56:39","modified_gmt":"2024-02-15T21:56:39","slug":"feliciano-centurion-participa-de-unravel-the-power-and-politics-of-textiles-in-art","status":"publish","type":"noticias","link":"https:\/\/millan.art\/noticias\/feliciano-centurion-participa-de-unravel-the-power-and-politics-of-textiles-in-art\/","title":{"rendered":"Feliciano Centuri\u00f3n participa de ‘Unravel: The Power and Politics of Textiles in Art'"},"content":{"rendered":"

<\/p>\n

Feliciano Centuri\u00f3n<\/a>, participa de Unravel: The Power and Politics of Textiles in Art<\/em>, no Barbican Centre, em Londres.<\/p>\n

As obras do artista contribuem para a exposi\u00e7\u00e3o que aborda como a arte t\u00eaxtil serviu como meio para transmitir mensagens de indiv\u00edduos marginalizados em diferentes contextos e per\u00edodos.<\/p>\n

Em uma cr\u00edtica publicada no jornal The Guardian, Adrian Searle escreve: “Ao percorrer Unravel, h\u00e1 momentos em que fico im\u00f3vel, tocado e comovido com as intimidades registradas pelas obras. A costura, o bordado, as mi\u00e7angas e a tecelagem, assim como o foco silencioso que \u00e9 necess\u00e1rio para a conclus\u00e3o desses trabalhos, muitas vezes pedem nossa proximidade e presen\u00e7a nos pequenos detalhes. […] Os bordados de Feliciano Centuri\u00f3n, que misturam texto e imagem, parecem mostru\u00e1rios de pontos de bordado. “Sou uma alma penada”, escreveu ele em um deles. “Estoy vivo!” (“Estou vivo!”) em outro. Essas palavras surgem em meio a flores desabrochando”.<\/p>\n

Em cartaz at\u00e9 26 de maio.<\/p>\n

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