Fundamentos da pedra [Fundamentals of Stone], an individual exhibition by Lais Myrrha (1974, Belo Horizonte, MG) at Millan, is the subject of an article by João Perassolo in the newspaper Folha de S. Paulo.

"As she leaves the construction site, the artist enters the spaces of power with overlapping clippings of newspaper photographs in which politicians have their faces hidden and appear behind vertical bars symbolizing bars," writes the journalist about the collages from the series Reparação de danos [Repairing Damage], exhibited in the show.

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